The second essay in Ballantine Adult Fantasy: A Reading Series, which looks at E.R. Eddison’s The Worm Ouroboros (1922): a complex, challenging, rewarding, hero-obsessed novel.
Category: Reading…
Reading “Land of Precious Snow” by Thaddeus Tuleja
Thaddeus Tuleja's Land of Precious Snow (1977) is a fantasy-adjacent historical fiction novel about religious and spiritual experience, disaffection with modernity, and an American adventurer seeking new meaning in 1890s Tibet—a novel that captures counterculture's dissident feelings toward life in postwar America.
Reading “The Fairy of Ku-She” by M. Lucie Chin
M. Lucie Chin's The Fairy of Ku-She (1988) is an expert work of historical fantasy, a fascinating, achingly beautiful, and brilliantly conceived novel that intermixes Chinese history, mythology, and fairy tale in an impressive tapestry that offers a wide range of critiques of genre, gender, power, and social order.
Ballantine Adult Fantasy: Reading “The Last Unicorn” by Peter S. Beagle
The first essay in Ballantine Adult Fantasy: A Reading Series, which looks at Peter S. Beagle’s The Last Unicorn (1968): a supremely beautiful, memorable, and critically energizing masterwork of fantasy.
Ballantine Adult Fantasy: A Reading Series
This is the landing page and index for my Ballantine Adult Fantasy (BAF) essay series, a lengthy quest to (re)read all of the novels published by Ballantine Books as part of their effort to court readers and create a market for fantasy in the wake of Tolkien’s mass market success in the mid-1960s.
Reading “SeeSaw Girl” by Linda Sue Park
Linda Sue Park's 1999 first novel SeeSaw Girl is a melancholy study of gender and coming-of-age in seventeenth-century Joseon Korea, with glimpses of European travelers, elite life, painting, embroidery, and how we make do with what we can—oh, and just how awesome Korean seesaws are!
Reading “A Single Shard” by Linda Sue Park
Linda Sue Park's Newbery Medal-winning 2001 novel A Single Shard is mundane, quiet, cerebral, and touching. One of the few novels from my childhood I regularly return to, it is a brilliant, emotional examination of pottery, poverty, and community in 13th century Korea.
Playing “Black Book” (2021)
Developer Morteshka's masterpiece Black Book is a Russian folk horror fantasy game thick with culture and history, with memory and belief; beautiful, heart-breaking, entrancing, and more, it is at once intoxicatingly real and hauntingly fantastical.
Reading “I AM AI” by Ai Jiang
Ai Jiang's I AM AI is a powerful, multi-award-nominated novelette that reawakens the cyberpunk ethos of an earlier sff generation and makes readable a whole host of issues composing our polycrisis, not the least of which is generative AI and its impact on (and abuse of) human creative labor.
Reading “Capitalism: A Horror Story: Gothic Marxism and the Dark Side of the Radical Imagination” by Jon Greenaway
John Greenaway's Capitalism: A Horror Story is a careful, clever, and thorough work of Marxist and especially Marxist utopian theory, offering a history of the Gothic Marxist intellectual tradition and careful readings of circa two dozens horror films and novels that raises questions about the politics of genre.
Genre Fantasies 