Thomas Burnett Swann’s The Gods Abide (1976) is the author's fourteenth novel and explores the violence of the rise of Christianity in Roman Italia and Britannia.
Tag: Cover Artist: George Barr
Reading “The Minikins of Yam” by Thomas Burnett Swann
Thomas Burnett Swann’s The Minkins of Yam (1976) is the author's eleventh novel, is set four thousand years ago in pharaonic Egypt, and is one of his weaker novels charting the "secret history" of the prehumans.
Reading “The Not-World” by Thomas Burnett Swann
Thomas Burnett Swann’s The Not-World (1975) is the author's ninth novel and is set in eighteenth-century Bristol. It's not very good but articulates Swann's typical themes nicely in the context of the rise of capitalist, colonialist modernity.
Reading “How Are the Mighty Fallen” by Thomas Burnett Swann
Thomas Burnett Swann’s How Are the Mighty Fallen (1974) is the author's eighth novel and his most (in)famous for the “controversy” of telling a queer story about the biblical King David. Also, Goliath is a Greek Cyclops.
Reading “Green Phoenix” by Thomas Burnett Swann
Thomas Burnett Swann’s Green Phoenix (1972) is the author's sixth novel, a partial retelling of the story of Aeneas that deals heavily with gender relations and sexual violence.
Reading “The Forest of Forever” by Thomas Burnett Swann
Thomas Burnett Swann’s The Forest of Forever (1971) is the author's fourth novel, a prequel to his first novel, Day of the Minotaur (1966). It's a mediocre and somewhat messy return to story of Eunostos on Crete but offers some interesting ideas about gender in Swann's oeuvre.
Genre Fantasies 