The eighth essay in my Ballantine Adult Fantasy reading series, which looks at David Lindsay’s A Voyage to Arcturus (1920): a philosophical science fantasy novel about big existential questions, like “who the fuck is Crystalman?!”
Tag: Genre: Science Fiction
Reading “Out There” by Adrien Stoutenburg
Adrien Stoutenburg’s Out There (1971) is an interesting early environmentalist sf novel about the dangers of unchecked pollution and ecological devastation, wrapped up in young adult melodrama, and harshly critical of capitalist exploitation.
Reading “I AM AI” by Ai Jiang
Ai Jiang's I AM AI is a powerful, multi-award-nominated novelette that reawakens the cyberpunk ethos of an earlier sff generation and makes readable a whole host of issues composing our polycrisis, not the least of which is generative AI and its impact on (and abuse of) human creative labor.
What Was “World Science Fiction”?
A very thorough (and probably pedantic) answer to the question of a major Cold War-era science fiction anthology's purported global reach, and whether it could rightfully be called World's Best SF, complete with charts and quantitative data.
Reading “The End: Surviving the World through Imagined Disasters” by Katie Goh
Goh's The End: Surviving the World through Imagined Disasters—a brilliant and fun exploration of (post)apocalyptic narratives across a range of subgenres and political concerns—is academic in rigor, creative in style, journalistic in accessibility, and activist in energy.
Watching “No One Will Save You” (2023)
Brian Duffield's directorial debut, No One Will Save You, is a brilliant film that utilizes conventions from several genres, including alien horror and home invasion thrillers, to play out the psychodrama of a character whose isolation and unspoken traumatic past call out for audience identification.
Reading “Redshirts” by John Scalzi
John Scalzi's Redshirts is a sometimes smart, mostly fun, and occasionally critically interesting novel that sits rightfully, and awkwardly, at the center of recent debates about the origin, aesthetics, and political value of so-called "squeecore" genre fiction.
Afrofuturism’s Specter: Alternate History, Racial Capitalism, and Nisi Shawl’s “Everfair”
This is the text of a paper about Nisi Shawl's Everfair originally presented at the Worlding SF conference in Graz, Austria in December 2018.
Sexual Violence in Le Guin’s The Dispossessed: Toward an Interpretation
This is the text of a paper about Ursula K. Le Guin's The Dispossessed written in 2015 for a graduate-level academic conference. It is roughly a decade old and the work of a scholar in his first year of graduate school.
Genre Fantasies 