Thomas Burnett Swann’s The Forest of Forever (1971) is the author's fourth novel, a prequel to his first novel, Day of the Minotaur (1966). It's a mediocre and somewhat messy return to story of Eunostos on Crete but offers some interesting ideas about gender in Swann's oeuvre.
Tag: Publisher: Ace Books
Reading “Moondust” by Thomas Burnett Swann
Thomas Burnett Swann’s Moondust (1968) is the author's third novel: a bizarre, partial retelling of the Battle of Jericho that revolves around a society of evil, telepathic fennecs.
Reading “The Weirwoods” by Thomas Burnett Swann
Thomas Burnett Swann’s The Weirwoods (1967) is his second novel, a story of slavery and freedom, of love and grief, set at the waning of Etruscan power in ancient Italy. Come for the ancient historical fantasy, stay for the achingly beautiful meditations on love, loss, and belonging.
Reading “Day of the Minotaur” by Thomas Burnett Swann
Thomas Burnett Swann’s Day of the Minotaur (1966) is his first novel, a sometimes messy, sometimes saccharine, sometimes poignant novel about the final days of the prehuman mythic beings as human civilization pushes them to extinction.
Reading “Shadow” by Anne Logston (Shadow 1)
Anne Logston’s Shadow (1991) introduced a talented new fantasy writer with a tightly plotted, elegantly written, hilariously bawdy adventure about an expert thief who gets in over her head when she robs the wrong person. If you like Xena: Warrior Princess or Baldur's Gate 3, then you'll love Shadow.
Reading “The Tournament of Thorns” by Thomas Burnett Swann
Thomas Burnett Swann’s The Tournament of Thorns (1976) is a compelling medievalist fantasy that mixes in folk horror and offers a sharp critique of Christianity in the time of crusades.
Reading “Lady of the Bees” by Thomas Burnett Swann
Thomas Burnett Swann’s Lady of the Bees (1976) offers a direct political and ethical response to modernity by way of its inventive fantasy retelling of the mythological founding of Rome, casting that key moment in “Western civilization” as a tragedy.
Reading “The Fairy of Ku-She” by M. Lucie Chin
M. Lucie Chin's The Fairy of Ku-She (1988) is an expert work of historical fantasy, a fascinating, achingly beautiful, and brilliantly conceived novel that intermixes Chinese history, mythology, and fairy tale in an impressive tapestry that offers a wide range of critiques of genre, gender, power, and social order.
Sean Guynes 