Category: Genre Fantasies

Goh's The End: Surviving the World through Imagined Disasters—a brilliant and fun exploration of (post)apocalyptic narratives across a range of subgenres and political concerns—is academic in rigor, creative in style, journalistic in accessibility, and activist in energy.

Brian Duffield's directorial debut, No One Will Save You, is a brilliant film that utilizes conventions from several genres, including alien horror and home invasion thrillers, to play out the psychodrama of a character whose isolation and unspoken traumatic past call out for audience identification.

John Scalzi's Redshirts is a sometimes smart, mostly fun, and occasionally critically interesting novel that sits rightfully, and awkwardly, at the center of recent debates about the origin, aesthetics, and political value of so-called "squeecore" genre fiction.

The Forgotten Realms novel Shadowdale marks the beginning of a major event in the franchise's storyworld and, despite it being somewhat of an eye-rolling chore to read, it offers some promising elements for the rest of the series.

Monica Furlong's Juniper is a beautiful, powerful novel of girlhood and community in ancient Cornwall that transcends its position as middle-grade fiction and demonstrates why Furlong's magical fictions of the ancient Celtic world, told from the perspective of women's experiences, deserve another look.

Gordon Doherty's novelization of the Assassin's Creed: Odyssey video game wonderfully demonstrates everything aesthetically and narratively wrong with so much franchise fiction.