Reading “Linghun” by Ai Jiang

Ai Jiang's Linghun criss-crosses the haunted house genre, subverts expectations about the purpose and mood of the haunted, indexes the suburban hellscape of (post)neoliberalism as the locus of horror, and ruminates nearly constantly on death, dying, grief, and the ties that bind us to the past, to family, to community.

Reading “The Fate of Africa: A History of the Continent since Independence” by Martin Meredith

Martin Meredith's The Fate of Africa: A History of the Continent since Independence is an unparalleled resource for introducing the major issues, figures, and periods of post-independence African history, but is severely marred by its failure to engage the devastating legacies of colonialism on the continent.

Reading “Here Be Dragons” by Sharon Kay Penman (Welsh Princes 1)

Sharon Kay Penman's Here By Dragon is a classic of historical fiction, offering a rich, complex tapestry of medieval Welsh and Anglo-Norman life, with a unique narrative style that decenters the big moments and focuses on domestic life and character psychology, and has a lot to say about medieval women's lives.

Reading “Black Powder War” by Naomi Novik (Temeraire 3)

Naomi Novik's third book in the Temeraire series, Black Powder War, takes readers to the Ottoman and German empires during the Napoleonic wars, but fails to explore its subject in interesting ways and leans heavily into Orientalist tropes.